This is a post that includes both observations and questions. I’m hoping for answers from some of you.
Yesterday at the Dupage County Music Clinic, I attended a concert given by a group called Push. A couple of the guys started playing together in the spring of 2000 in the percussion studio at Illinois State University. Since that time, they added a few members and now include five gentlemen playing an assortment of percussion instruments (primarily drums, marimba, and vibes) as well as synthesizers and vocals. The group used the following words about themselves in the program:
Beginning as an improvisational percussion group, they quickly began to hone their improvisations into pieces, though still with a heavy amount of improvisation. Over time the sound developed and the pieces became more concise and focused. Pre recorded sound, synthesizers and pop-style vocals were utilized and songs formed…Push found it difficult to arrange performances because of their instrumentation, size and unconventional approach. The University did not consider them a proper concert performance; labeling Push a “pop group” and venues in the town simply didn’t have the facilities to hold them. So, they decided to file the paperwork to become an official University entity which they could use to book the recital halls and finally perform. This was done both out of(f) the desire to perform and to thumb their noses at the established ‘proper’ music of which they worked in day-to-day and music students. They felt it was time that higher music education be forced to deal with Push and their attempt to legitimize (or “concert-ize”) what might be otherwise classified as simply “pop” music.
I must admit, I’m not up-to-date enough in my knowledge of newer music to know if what they did was truly innovative or not. For the most part, I really enjoyed the concert. During the first section of the program, however, I did reach a point where I wanted to hear something “different.” Maybe that was just me and my tastes, though. In spite of that, I was impressed with this group of young men and how they had approached their ideas and problems creatively and with persistence!
The concert reminded me of the importance of teaching in ways that help students think creatively. How did the members of Push get to that point? How were they taught? How do we teachers approach teaching creativity in the music classroom?
For anyone interested, the link I’ve provided for the group Push includes the piece “The Crawl” on the playlist. When I heard that piece at the concert yesterday, the triangle provided the “something different” for my ears. What can I say: I like triangles!